Reviews
'The Mastermind' Smartly Slows Down an Art Heist │ Exclaim!
Who Killed the Montreal Expos? Review: Vive les Expos! - POV Magazine
Nepo-Drama 'Anemone' Is a Lukewarm Return to the Screen for DDL │ Exclaim!
'One Battle After Another' Might Actually Convert PTA Naysayers │ Exclaim!
'A Big Bold Beautiful Journey' Isn't │ Exclaim!
Local Journalism Is Saved with September 2025's Streaming Must-Sees (and Must-Skips) │ Exclaim!
TIFF 2025: 'EPiC' Shows Why Elvis Is Still the King │ Exclaim!
Palimpsest: The Story of a Name Review - What’s in a Name? - POV Magazine
Aki Review: Mother Nature Prevails in Gorgeous Essay Film - POV Magazine
'The Smashing Machine' Is an Understated Bodyslam │ Exclaim!
'Roofman' Disneyfies a Life of Crime │ Exclaim!
TIFF 2025: 'Rental Family' Is Sweetly Superficial │ Exclaim!
Origin: The Story of the Basketball Africa League Review: A Four Hour Advertisement for the Next Investors' Meeting - POV Magazine
TIFF 2025: 'Youngblood' Matures the Hockey Hijinks of the '80s │ Exclaim!
TIFF 2025: 'Nirvanna the Band the Show the Movie' Is by Canadians, for Canadians │ Exclaim!
TIFF 2025: 'No Other Choice' Finds Humour in the Bleak Job Market │ Exclaim!
TIFF 2025: Like Life, 'Dinner with Friends' Comes at You Fast │ Exclaim!
TIFF 2025: 'Sentimental Value' Showcases One of Cinema's Best Actor-Director Relationships │ Exclaim!
'Nouvelle Vague' Is a Breathless Throwback to French New Wave │ Exclaim!
'Caught Stealing' Has Hot People but Will Leave You Cold │ Exclaim!
'The Roses' Is Sweetly Human, Despite the Gaping Plot Hole │ Exclaim!
'Honey Don't!' Worry, Because Ethan Coen Is Getting Back on the Right Track │ Exclaim!
'Nobody 2' Never Finds Its Rhythm │ Exclaim!
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