Reviews
The Stunt Driver delivers a wild Mad Canadian epic for our Elbows Up era
'Primetime' Is Sensational Sensationalism │ Exclaim!
TIFF 2026: 'Once Upon a Time in Harlem' Is a Resonant Historical Document │ Exclaim!
TIFF 2026: 'Possible Love' Offers Profound Class Commentary │ Exclaim!
TIFF 2026: 'Elsinore' Is Infinite in Faculties, in Form and Moving │ Exclaim!
TIFF 2026: 'Love of Your Life' Awkwardly Makes COVID a Plot Twist │ Exclaim!
TIFF 2026: 'I Play Rocky' Is a KO │ Exclaim!
Ethan Hawke and Russell Crowe lean on old-fashioned Hollywood thrills in The Weight
TIFF 2026: Chris Rock Shows His Depth with 'Misty Green' │ Exclaim!
TIFF 2026: 'Wild Wild East' Is a Fresh WWII Story │ Exclaim!
TIFF 2026: 'Ladies and Gentlemen, Brian Mulroney' Is an Inside Joke for Canadians │ Exclaim!
TIFF 2026: 'Fjord' Thrives in Ambiguity │ Exclaim!
'Runner' Earns a "Fuck Yeah" │ Exclaim!
Practical Magic 2 is double, double toil and trouble
Inside Ridley Scott, there are two wolves, but neither really shows up for The Dog Stars
Spa Weekend gently massages the moms-gone-wild genre
'The End of Oak Street' Is the Year's Best Spielberg Movie │ Exclaim!
'One Night Only' Is Curiously Optimistic │ Exclaim!
'Spider-Man: Brand New Day' Is the Same Old Story for Marvel │ Exclaim!
'I Want Your Sex' Brings Complexity to Horniness │ Exclaim!
'The Outer Threat' Never Finds Its Home World │ Exclaim!
'The Odyssey' Is a Step in a Journey │ Exclaim!
We'd Be Wise to Take a Lesson from 'Peter Asher: Everywhere Man' │ Exclaim!
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