TIFF 2022
Brendan Fraser Knows That 'The Whale' Won't Please Everyone | Exclaim!
Interview: Park Chan-wook on Decision to Leave & Learning From Oldboy
'All Quiet on the Western Front' Is an Instant Classic with a New Perspective Directed by Edward Berger | Exclaim!
TIFF 2022: 'Women Talking' Is a Necessary Conversation Directed by Sarah Polley | Exclaim!
TIFF 2022: 'The Menu' Is Deliciously Nasty Directed by Mark Mylod | Exclaim!
TIFF 2022: 'The Wonder' Could Have Been More Wonderful Directed by Sebastián Lelio | Exclaim!
TIFF 2022: 'The Banshees of Inisherin' Takes the Wit of 'In Bruges' to Even Darker Places Directed by Martin McDonagh | Exclaim!
TIFF 2022: 'Decision to Leave' Is Wonderfully Excessive Directed by Park Chan-wook | Exclaim!
TIFF 2022: 'Butcher's Crossing' Is the Nicolas Cage Horror-Western We've Been Waiting For Directed by Gabe Polsky | Exclaim!
The 5 Best Films We Saw at TIFF 2022 | Exclaim!
Member Survey: TIFF 2022 - Best of the Fest
TIFF 2022: 'Black Ice' Is a Necessary Interrogation of Hockey's Lack of Diversity Directed by Hubert Davis | Exclaim!
2022 TIFF Wrap Up
Maya and the Wave Review: Big Wave Feminism
Theatre of Thought Review: Herzog on the Brain
Interview with Brendan Fraser & Screenwriter Samuel D. Hunter of Darren Aronofsky's The Whale
TIFF Interviews - Riceboy Sleeps and The Umbrella Men Directors
TIFF 2022: Brendan Fraser Delivers a Stunning Performance in 'The Whale' Directed by Darren Aronofsky | Exclaim!
TIFF 2022: 'Brother' Is a Powerful Slice of Scarborough Life Directed by Clement Virgo | Exclaim!
TIFF 2022: Stellar Review
TIFF 2022: 'The End of Sex' Has Some New Awkward Sexual Adventures Directed by Sean Garrity | Exclaim!
TIFF 2022: I Like Movies Review
Lido Pimienta on Being a Witch, Collaborating with Nelly Furtado and Conquering the Small Screen with 'LIDO TV' The Exclaim! Questionnaire | Exclaim!
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