TIFF 2023
The Asian Cut’s Fall Festival Favourites
The Best (and Worst) Films We Saw at TIFF 2023 | Exclaim!
The Evergreen Power of Mr. Dressup
TIFF 2023: Zarrar Kahn Will Set Your Heart ‘In Flames’
The Pigeon Tunnel Review: A Most Wanted Interview
TIFF 2023: The Nicolas Cageaissance Continues with Wonderfully Awkward 'Dream Scenario' Directed by Kristoffer Borgli | Exclaim!
TIFF 2023: 'Rustin' Takes Steps to Right a Historical Wrong Directed by George C. Wolfe | Exclaim!
TIFF 2023: 'Next Goal Wins' Scores Crowd-Pleasing Cheers Directed by Taika Waititi | Exclaim!
TIFF 2023: Paul Giamatti Is a Delightful Payne in 'The Holdovers' Directed by Alexander Payne | Exclaim!
TIFF 2023: 'Knox Goes Away' Doesn't Go Away Quickly Enough Directed by Michael Keaton | Exclaim!
TIFF 2023: 'Close to You' Is Disjointed, but Held Tightly by Elliot Page Directed by Dominic Savage | Exclaim!
TIFF 2023: 'Monster' Seeks the Truth — Then Dismantles It Directed by Kore-eda Hirokazu | Exclaim!
Swan Song Review: A Fitting Tribute to Karen Kain’s Legacy
TIFF 2023: 'Fitting In' Is a Coming-of-Age Classic for a New Generation Directed by Molly McGlynn | Exclaim!
TIFF 2023: 'Dumb Money' Isn't Clever Enough to Elevate Its Dry Subject Matter Directed by Craig Gillespie | Exclaim!
TIFF 2023: 'The Magic of Make-Believe' Is a Warm Reminder of the Importance of 'Mr. Dressup' Directed by Robert McCallum | Exclaim!
Marielle Dalpé on Aphasia and Finding a Way with Words